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1/2/2023 0 Comments Turbo blu ray case insert![]() The other big question is who will the new hero have to face as the villain in Black Panther 2. With her genius level intellect, she should be able to see off any trial by combat, which seems like a ridiculously barbaric way to decide a head of state and national hero, so hopefully she does away with it as soon as she comes to power. So when the sections were joined they added up perfectly to the immediate source, which had 2 missing frames.In fact, this could essentially be the blueprint for the plot with Shuri wrestling with the weight of it all before there is no other option but to become the Black Panther and set everything right again. I believe there were issues with his original cuts, because they were already missing 2 frames when joined, or separately added up before doing the procedure - this suggests an issue with splitting, maybe an issue with the original stream. Also important is to use similar bitrates (or go slightly lower), otherwise you will have a VBV violation Also if using tsmuxer, the you must have "do not change SEI and VUI data", and uncheckmark insert SPS/PPS for BD. ![]() That's the reason for encoding a few GOP's on either sides, only to cut out later. So the usual steps would be encode a "replacement" section using the same encode settings - well that won't work because it has a startcode. And there are problems with glitches at the seams in encore unless it's done properly.Įncore won't accept a joined "middle section" for passthrough that has a startcode. You can join it no problems for playback in media players, and for "normal" usage - but not for BD passthrough. So he wanted to "fix" that section, without having to re-encode the entire BD which is already 2nd generation. But there was "media offline" for one of the segments, only to be discovered at a later date. The background context was he no longer had the original 1st generation project files. if that doesn't work convert it all to lossless avi and edit that. put it on the timeline and cut/paste all you want. if it's no re-code video pp will only re-code the portions that are changed. But I have to adjust mine by a few frames. The audio in the last part (C) in the final output might be out of sync. It has no impact in my project but it's strange. In my case, the final 2 frams disappeared. If B and B1 has the exact same length, the final output may have exact same length as the original. Changing GOP settings and bitrate does not appear to make a difference However ,the output will require transcoding in Encore. Without flanking A3 and C3, the AME output will can join with A and C. The 2 tsMuxer options mentioned above will messed up the join (playback issue or Encore transcoding). ![]() Encode in AME, mux, and split to cut out the segment you need (B1). You can apply effect such as noise on A3 or C3 to help.ĥ. But it does not always work if it's not right at a scene change. You have to force the encoder (AME) to create key-frame (I-frame) at these boundaries. In the timeline, put A3 before B and C3 after B. If want to know why, see additional notes belowĤ. I've also tried just 1 GOP but it may fail to join or Encore may not like it. Cut the last 3 GOP from A (A3) and the first 3 GOP from C (C3). In my case, I'd have to mux video and audio first as the tool does not work well with elementary stream.ģ. Split the video and save segments A, B, C. TsMuxer (muxing and join, "Insert SET and VUI data if absent" and "Continually insert SPS/PPS" must be off)ġ. Without his help, this would never be possible. If you simply edit B, and then join with A and C, Encore will transcode the entire video. It might not be acceptable, depending on the scenes. The Blu-ray player may have a significant pause between the segments. However, Encore will produce 3 m2ts file, 1 for each segment. ![]() Some would suggest you split the video, edit B, and put all segments on a timeline. You want to edit a portion of H.264 Blu-ray video used in Encore (let's call it segment B) but you don't want Encore to transcode the rest of the video (let's call it A before B and C after B). 1/2/2023 0 Comments Adobe indesign basicsThis course is designed for those who are looking to learn InDesign from scratch and is best suited for designers, businesses, entrepreneurs, photographers and authors.ĭuring this course, you will learn how to design professional publications and graphics in InDesign. You don’t need any prior InDesign experience to take this class as Phil Ebiner and Kurt Anderson will explain every InDesign step to you. This Udemy course is designed with one aim: to help you become an Adobe InDesign master in just 6 hours! 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We’ve put together a list of the best classes and courses available on the web, below. 1/2/2023 0 Comments Chris brown deuces meaning“She Ain’t You,” a mid-tempo nod to Michael Jackson’s “Human Nature,” is the new single from the album, but owes its success more to the MJ sample than anything else. Many of the remaining tracks are unmemorable filler-“Up 2 You,” and “All Back,” the slower ballads on the album, lack the power of the 2008 hit “With You” or even the apologetic “Crawl” even while showing off Brown’s silky voice at its best. Unfortunately, the third of the album that we have already heard is the best part. “Deuces,” probably a nod to his relationship with R&B star Rihanna, has even more pointed lyrics: “I know you mad but so what? / I wish you the best of luck / And now I’m finna throw them deuces up / I’m on some new shit.” These songs are reflective of a more world-weary Brown looking to move forward and are successful in their own right, although they sound both musically and lyrically as if they come from a different album than “Yeah 3x” and “Beautiful People.” “Look at me now / Look at me now / I’m getting paper” is a lyric typical of R&B and rap’s chest-puffing, but in Brown’s sing-song rap and stinging delivery, it becomes an honest statement of growth. Like “Yeah 3x” and “Beautiful People,” it’s a crowd-pleasing, dance-floor filler, but instead of bouncy synthesizers, it has a spare, syncopated, hip-winding beat, more similar to his 2009 hit “I Can Transform Ya.” Unlike those two more youthful songs, it has sharper lyrics that send Brown’s message of resolute defiance to his naysayers. The album’s standout “Look at Me Now,” a collaboration with Busta Rhymes and Lil Wayne, seems to represent the direction in which Brown wants to head as he matures as an artist. The up-tempo beat, bright synthesizers, anthemic chorus, and tween-friendly lyrics work to create a song reminiscent of his 2008 hit “Forever.” “Beautiful People,” a Euro-inspired track featuring copious amounts of Auto-tune and the Italian DJ Benny Benassi, has a clubby house feel. The international success of “Yeah 3x” is a testament to Brown’s ability to create a chart-topping, party-ready dance hit. These tracks-some of the best of the album-represent what Brown does best. ![]() “Yeah 3x,” “Look at Me Now,” and “Beautiful People” were released as singles over the past year and have been climbing the Billboard charts ever since. “Deuces” and “No Bullshit” were released on Brown’s collaborative mixtape with Tyga, “Fan of a Fan,” which came out in May 2010. The world has already heard over a third of the tracks on Brown’s new album. Though it offers many potential hit singles, the album lacks a cohesive sound and style. As a result, “F.A.M.E.” bounces between youthful innocence, explicit sexuality, and time-tested weariness. ![]() He is still fighting negative press from previous abuse allegations-an occasional theme in his music-and as an artist he is continuing his transition from child phenomenon to fully-fledged adult R&B star. Chris Brown’s new album, “F.A.M.E.,” makes it clear that he continues to grapple with his past even as he figures out how to move forward. |
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